BUILT FOR BRANDS

THAT WANT

TO EVOKE FEEL

Services

Five things I do, on their own or together. Most projects use a combination — direction shaping the idea, photography and film carrying it, production keeping it on the rails, and post pulling it all together.

Direction

Direction is where the project gets its point of view. I work with brands and athletes to define the concept, the story, and the look — so by the time we shoot, every frame has a reason to exist. This is the foundation everything else is built on.

Women holding office files and accessories.

00-1

00-1

What’s included

Creative concept and brand narrative

Visual direction and treatment

Mood, reference, and shot planning

On-set creative guidance

Film

Brand films, campaign spots, and social-first cutdowns — directed and edited with restraint. The work is paced to hold attention in the feed and on the screen, without leaning on tricks.

A well-composed photograph of a girl behind rocks.

00-2

What’s included

Concept and treatment

Directing and filming

Editing, color, and pacing

Final delivery

Photography

Campaign, editorial, and brand photography — shot on a mix of digital and analog. Used across hero campaigns, social, and editorial features (Arizona Golf Insider, Bad Birdie x Los Sundays, Saint PR, Stephen Curry).

A girl holding a vintage-style camera while smoking a cigarette.

00-3

What’s included

Creative planning and shot list

On-location or studio shoot

Selection and direction of edit

Final retouching and delivery

Production

Production keeps the shoot honest. Scheduling, crewing, locations, logistics — handled so the creative can stay focused on the work itself, not the moving parts around it.

Creating a mood board on a wall.

00-4

What’s included

Scheduling and shoot planning

Crew and talent coordination

Location, permits, and logistics

On-set production oversight

Post & Finish

Edit, color, sound, and finishing — paced to land with intent. Every cut and grade is made in service of the story, not the showreel.

Office files with pins laid out on a work table.

00-5

What’s included

Editing and assembly

Color and tone

Sound design and mix

Final exports for every channel

[ The Process ]

A gymnast performing a flip on a grassy green field.

00-1

Listen

Every project starts with a conversation, not a brief. Understanding the brand, the audience, and what success actually looks like before any creative decisions get made.

Placing a finger on the mirror

00-2

Shape

Translating the conversation into a clear creative direction — concept, visual language, and a plan we can all build against. Nothing moves into production until this is locked.

A flower beginning to bloom.

00-3

Build

Executing with care across direction, capture, and finishing. Tight teams, considered pacing, and a finished body of work that lives across every channel it needs to.

Frequently asked
questions

A few quick notes on how I work, what to expect, and how to start a project.

00-1

How does a typical project start?

Usually with a 30-minute call — no formal brief required. I want to understand the brand, the audience, and what you're actually trying to make happen. From there, I'll put together a treatment, scope, and timeline.

00-2

Who do you usually collaborate with?

Brands and athletes in golf, sports, and lifestyle. Past collaborators include Netflix, Stephen Curry, Matthew Stafford, Bad Birdie, Johnnie-O, Takomo Golf, considered projects are just as welcome as large campaigns.

00-3

What kind of timelines should be expected?

A single-day shoot with edit and delivery usually runs 2–4 weeks end to end. Larger campaigns with multiple shoot days, locations, and post are typically 6–10 weeks. I'll always quote real timelines, not best-case ones.

00-4

Can I hire you for just one piece?

Yes. Services work on their own or stacked together. Some clients hire me just to direct, others for photography only, and many for the full package — direction through final delivery.

00-5

How involved is the client in the process?

Some clients want to be in the room for every decision; others want to hand it off and see the final cut. I'll match the pace and check-ins to how you prefer to work.

00-6

Where are projects typically delivered?

Shoots have happened across the US — desert, course, studio, on-location. Final deliverables are digital, formatted for every channel they need to live on.

If you've got something in mind,

let's talk it through.

Get in touch

Get in touch

Get in touch

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